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The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MCS 70 and MCS Superpanorama 70) were photographed with spherical optics on 65 mm film with five perforations per frame, yielding an aspect ratio of 2.20:1. Sovscope 70 and DEFA 70 releases were identical with the exception that they were photographed on 70 mm negative stock. MGM Camera 65 and Ultra Panavision 70 releases employed the same film format, but the use of 1.25X anamorphic optics yielded a super-wide aspect ratio of approximately 2.75:1. 70 mm Cinerama releases were projected with special optics onto a deeply curved screen in an attempt to mimic the effect of the original 3-strip Cinerama process. Hi Fi Stereo 70 (also known as Triarama and Stereovision 70) was a 3-D process.〔(【引用サイトリンク】url = http://in70mm.com/news/2010/hifi70/english/index.htm )〕 Two anamorphic images, one for each eye, were captured side by side on 65 mm film.〔 A special lens on a 70 mm projector added polarization and merged the two images on the screen.〔 A similar Soviet system known as Stereo 70 did not employ anamorphics, resulting in an aspect ratio of 1.37:1.〔(【引用サイトリンク】url = http://www.the3drevolution.com/3dlist.html )〕 Stereospace 2000 (a 3D process) and Kodak-Disney 3D used dual 65 mm cameras operating at 30fps. Standard 70 mm theater prints were 70 mm wide, with the extra space used to accommodate the 6-channel magnetic soundtracks, consisting of five full-range channels (left, left-center, center, right-center and right) arrayed behind the screen, with the sixth channel providing surround effects. ''Far and Away'' (1992), ''Baraka'' (1992) and ''Hamlet'' (1996) employed a modified arrangement of speakers, with left, center and right channels behind the screen, left and right surround channels and a low-frequency effects channel. This list does ''not'' include any of the hundreds of 35 mm films which have been optically enlarged to 70 mm for deluxe exhibition, including such titles as ''Logan's Run'', ''Jesus Christ Superstar'' and ''Akira''. Also not included are 70 mm releases which originated on horizontal 35 mm negative such as Vistavision and Technirama (see List of Technirama films), nor films made in the Showscan process. For Imax, see List of IMAX films. == American 65/70 mm films == *''Oklahoma!'' (1955) – Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s *''Around the World in Eighty Days'' (1956) – Todd-AO; shot twice, with cameras running at 30 and 24 frame/s, respectively *''Raintree County'' (1956) – MGM Camera 65; exhibited only in 35 mm CinemaScope since all the 70 mm cinemas were booked *''South Pacific'' (1958) – Todd-AO *''Ben-Hur'' (1959) – MGM Camera 65 *''Porgy and Bess'' (1959) – Todd-AO *''The Big Fisherman'' (1959) – Super Panavision 70 *''Scent of Mystery'' (1960) – Todd-70 and Smell-O-Vision. Todd-Belock 8-channel Sound, which used a control signal to "steer" the single surround channel to three surround tracks (right wall, left wall and rear wall). This title was later re-edited, optically converted to 3-strip Cinemiracle and re-released without the odors as ''Holiday in Spain'' in 1961. It was exhibited in both Cinerama and Cinemiracle. *''Can-Can'' (1960) – Todd-AO *''The Alamo'' (1960) – Todd-AO *''Exodus'' (1960) – Super Panavision 70 *''West Side Story'' (1961) – Panavision 70 *''Lawrence of Arabia'' (1962) – Super Panavision 70 *''Mutiny on the Bounty'' (1962) – Ultra Panavision 70 *''It's a Mad, Mad, Mad, Mad World'' (1963) – Ultra Panavision 70; shown in 70 mm Cinerama *''Cleopatra'' (1963) – Todd-AO (shooting started in CinemaScope, changed to 3-panel Cinerama and finally to Todd-AO. The anamorphic and 3-panel footage was discarded.) *''The Fall of the Roman Empire'' (1964) – Ultra Panavision 70 *''My Fair Lady'' (1964) – Super Panavision 70 *''Cheyenne Autumn'' (1964) – Super Panavision 70 *''The Sound of Music'' (1965) – Todd-AO (second unit photography (shots ) in Superpanorama 70) *''Those Magnificent Men in Their Flying Machines'' (1965) – Todd-AO (some scenes in Superpanorama 70) *''The Agony and the Ecstasy'' (1965) – Todd-AO *''The Greatest Story Ever Told'' (1965) – Ultra Panavision 70; shown in 70 mm Cinerama *''The Hallelujah Trail'' (1965) – Ultra Panavision 70; shown in 70 mm Cinerama *''Battle of the Bulge'' (1965) – Ultra Panavision 70; shown in 70 mm Cinerama *''Lord Jim'' (1965) – Super Panavision 70 *''Khartoum'' (1966) – Ultra Panavision 70; shown in 70 mm Cinerama *''Grand Prix'' (1966) – Super Panavision 70 (some scenes in Superpanorama 70); shown in 70 mm Cinerama *''The Bible: In The Beginning'' (1966) – Dimension 150 (credited as D-150) *''Doctor Dolittle'' (1967) – Todd-AO *''2001: A Space Odyssey'' (1968) – Super Panavision 70; some shots in Todd-AO; aerial shots from the stargate sequence in Superpanorama 70. Shown in 70 mm Cinerama *''Ice Station Zebra'' (1968) – Super Panavision 70 (shooting started in Ultra Panavision 70 then switched to Super Panavision 70); shown in 70 mm Cinerama *''Star!'' (1968) – Todd-AO *''Hello, Dolly!'' (1969) – Todd-AO *''Krakatoa, East of Java'' (1969) – Todd-AO and Super Panavision 70 shown in 70 mm Cinerama *''Airport'' (1970) – Todd-AO *''Patton'' (1970) – Dimension 150 *''Song of Norway'' (1970) – Super Panavision 70, shown in 70 mm Cinerama, advertised as "On the Cinerama screen" in some countries *''The Last Valley'' (1970) – Todd-AO (the last film made for 70 mm Cinerama, but never shown in that format) *''Tron'' (1982) – Super Panavision 70. Live-action all filmed in color 65mm; CGI sequences filmed in 65mm B&W and composited to a VistaVision intermediate then optically printed back to 70mm IP. *''Far and Away'' (1992) – Panavision System 65; segments in Arri 765 and VistaVision *''Baraka'' (1992) – Todd-AO, documentary *''Hamlet'' (1996) – Panavision System 65; segments in Arri 765 *''Samsara'' (2011) – Panavision System 65, documentary *''The Master'' (2012) - Panavision System 65 *''Movies for Your Ears'' (2013) - Panavision System 65 *''The Hateful Eight'' (2015) - Ultra Panavision 70 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of 70 mm films」の詳細全文を読む スポンサード リンク
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